A FIELD GUIDE TO GETTING LOST
A beautifully crafted reﬂection here on the empowerment of loss and change, how it reconnects us with life… the link to the ancient Greek word ‘psyche’ I ﬁnd fascinating.
“Sometimes an old photograph, an old friend, an old letter will remind you that you are not who you once were, for the person who dwelt among them, valued this, chose that, wrote thus, no longer exists. Without noticing it you have traversed a great distance; the strange has become familiar and the familiar if not strange at least awkward or uncomfortable, an outgrown garment. And some people travel far more than others. There are those who receive as birthright an adequate or at least unquestioned sense of self and those who set out to reinvent themselves, for survival or for satisfaction, and travel far. Some people inherit values and practices as a house they inhabit; some of us have to burn down that house, ﬁnd our own ground, build from scratch, even as a psychological metamorphosis. As a cultural metamorphosis is far more dramatic.
“The people thrown into other cultures go through something of the anguish of the butterﬂy, whose body must disintegrate and reform more than once in its life cycle. In her novel Regeneration, Pat Barker writes of a doctor who ‘knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will ﬁnd a rotting caterpillar. What you will never ﬁnd is that mythical creature, half caterpillar, half butterﬂy, a ﬁt emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists entirely of decay.’ But the butterﬂy is so ﬁt an emblem of the human soul that its name in Greek is ‘psyche’, the word (in English) for soul. We have not much language to appreciate this phase of decay, this withdrawl, this era of ending that must precede beginning. Nor of the violence of the metamorphosis, which is often spoken of as though it were as graceful as a ﬂower blooming.
“There are rituals marking such splits, graduations, indoctrinations, ceremonies of change, though most changes proceed without such clear and encouraging recognition. ‘Instar’ implies something both celestial and ingrown, something heavenly and disastrous, and perhaps change is commonly like that, a buried star, oscillating between near and far.”
Rebecca Solnit: A Field Guide to Getting Lost